Alan Wilder shocked Depeche Mode fans around the world tonight, joining the band onstage for the first time since 1994 to accompany Martin Gore on piano during a performance of “Somebody” during a Teenage Cancer Trust charity concert at London’s Royal Albert Hall.
Molly Ringwald tells Vanity Fair that the late John Hughes started work on a script based on The Cure’s 1983 single “The Lovecats” — and even assembled a hypothetical soundtrack for the film — after finishing “The Breakfast Club.”
Primal Scream will perform its 1991 classic Screamadelica— the album that saw the band shed its C86 indie-pop sound in favor of house-influenced, druggy dance-rock — in its entirety for the first time ever Nov. 27 at London’s Olympia.
Black Francis has released his long-in-the-works project The Golem, a 4CD/1DVD set and 50-page book chronicling the score to the silent 1920 German expressionist film “Der Golem” that the Pixies frontman wrote for the San Francisco International Film Festival in 2008.
Q&A: Daniel Ash on Love and Rockets’ reunion, his new band — and figuring out how to play “So Alive” 
Q&A: Chris Frantz talks Talking Heads, Tom Tom Club and new book ‘Remain in Love’ 
Q&A: Steve Wynn on The Dream Syndicate’s first new album in nearly 30 years 
Q&A: Bauhaus’ David J on his ‘accidental’ concept album ‘Not Long For This World’ 
Q&A: Peter Murphy on ‘Ninth,’ Bauhaus’ break-up, reuniting Dalis Car 
Q&A: Joey Santiago on Pixies’ ‘Doolittle’ tour, possible ‘Surfer Rosa’ shows, new album talk 
Q&A: Prefab Sprout’s Paddy McAloon on new album, changing the world with music 
Q&A: Peter Hook talks ‘Unknown Pleasures’ tour, re-recording Joy Division 