]Long-running U.K. post-punk act New Model Army follows up last year’s Between Dog and Wolf — the band’s 12th studio album, and first in four years — with a new collection in September entitled Between Wine and Blood that combines a mini album of six new studio tracks and an 11-song live album.
With his new album Stripped now set for release Sept. 30, Daniel Ash continues to tease fans with tracks from the record, which will include electronic-flavored remakes of tracks from across his back catalog. The latest cut to emerge is a new, slowed-down take on Express classic “All In My Mind.”
We’re still two months away from the arrival of Erasure’s 16th studio album, The Violet Flame, but the duo has just offered up the first taste of the record in the form of first single “Elevation,” which you can stream here. Vince Clarke and Andy Bell also revealed the full tracklist for the album,
Morrissey’s been teasing the hell out of his brand-new album World Peace Is None Of Your Business in the weeks ahead of its July 15 release, with full-track previews, spoken-word promotional videos and, perhaps not as effectively, an aborted U.S. tour. Now, though, comes the moment of truth.
Like Mission of Burma, Scottish indie-pop faves The Vaselines are on their way to becoming more prolific post-reunion than in their original incarnation, this week announcing their second post-reunion album, and only their third overall, called V for Vaselines.
With the death of legendary “American Top 40″ DJ Casey Kasem resurrecting interest in their infamous “U2″ single, Negativland tonight announced they’re paying tribute to the beloved radio host whose profane tirade anchors the track by inviting fans to remix it using the original multi-track master.
Robyn Hitchcock this August will release a brand-new, Joe Boyd-produced album titled The Man Upstairs that will be “part well-known favorites, part personal discoveries, and part originals,” according to Yep Roc Records. The first offering off the record is an acoustic take on the Psychedelic Furs’ classic “The Ghost in You.”
As we promised last week, we’re thrilled to be able to premiere the full-album, pre-release stream of the 8-Bit Operators collective’s new collection of chiptune covers of Depeche Mode classics — a 15-track collection of “highly musical, lo-bit video-game hardware re-imaginings.”
The 8-Bit Operators collective next month follows up its tributes to Kraftwerk, Devo and The Beatles with a new collection of chiptune covers of Depeche Mode classics, a 15-track collection featuring “highly musical, lo-bit video-game hardware re-imaginings” of some of the band’s best-known songs from the past 30 years.
It’s been a big week for R.E.M. fans — even bigger than we thought, with not just the release of the band’s 1991 and 2001 “MTV Unplugged” sets and the previously reported digital collection of I.R.S.-era rarities, but also a digital companion featuring a whopping 131 tracks from the band’s Warner Bros. period.
With Echo & The Bunnymen’s 11th studio album Meteorites set for release in Europe one week from today, the band this morning began streaming the record — which Ian McCulloch calls “more edgy than anything I’ve ever done” — in full via both The Guardian in the U.K. and VPRO in the Netherlands.
Daniel Ash has treated fans to the first taste of his forthcoming album Stripped, which will feature re-recorded selections from his catalog with Bauhaus, Love and Rockets and Tones on Tail. And the first track to emerge is Ash’s new electro take on Love and Rockets’ 1989 hit single “So Alive.”
With the release of his 10th solo album Lion now just three weeks away, Peter Murphy is offering up a second track from the forthcoming record: “I Am My Own Name,” an ominous slow-builder that pays off in a big way. You can stream the full track via the music video posted here.
Earlier this month, Bob Mould treated fans to the first taste of his upcoming 11th solo album Beauty & Ruin, issuing a “pure adrenalin shot” called “Hey Mr. Grey.” That wasn’t the first official single off the upcoming 35-minute record, though. The single, “I Don’t Know You Anymore,” dropped this week.
Due out next week, the Pixies’ first new album in 23 years isn’t exactly new, given that its 12 tracks each have been released via a series of three EPs over the past seven months. Nevertheless, the band today premiered Indie Cindy via streams at NPR and the U.K.’s Guardian newspaper.
Echo & The Bunnymen will embark on a 14-date North American tour this August in support of their forthcoming album Meteorites, and this week debuted not just one but two new tracks off the record, including the official U.S. single “Holy Moses.” Meteorites is due out May 26 in the U.K. and June 3 in the U.S.
Paul Weller this June will follow up 1998′s Modern Classics compilation with a new companion best-of — cleverly titled More Modern Classics — that will pick up where the previous set left off, collecting 20 favorites by the former Jam leader recorded over the past 15 years, including a brand-new single.
Following up last month’s debut of the 7-minute “Market Town,” Echo & The Bunnymen this morning offered up the second taste of their forthcoming new album Meteorites, premiering the string-swept track “Lovers on the Run” over at The Quietus. The album is out May 26 in the U.K. and June 3 in the U.S.
One of the truly wonderful aspects of Record Store Day is the ability to dredge up long-forgotten releases and grant them new life, as the Captured Tracks label is doing this year with Bok Bok, the blink-and-you-missed it project from Buzzcocks bassist Steve Garvey and drummer Karl Burns of The Fall.
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