As we promised last week, we’re thrilled to be able to premiere the full-album, pre-release stream of the 8-Bit Operators collective’s new collection of chiptune covers of Depeche Mode classics — a 15-track collection of “highly musical, lo-bit video-game hardware re-imaginings.”
The 8-Bit Operators collective next month follows up its tributes to Kraftwerk, Devo and The Beatles with a new collection of chiptune covers of Depeche Mode classics, a 15-track collection featuring “highly musical, lo-bit video-game hardware re-imaginings” of some of the band’s best-known songs from the past 30 years.
This week’s new releases include a brand-new studio album from Echo & The Bunnymen (‘Meteorites’), plus audiophile vinyl reissues from Depeche Mode, a new They Might Be Giants compilation, a 7 Seconds studio record, two Suzanne Vega reissues and a new compilation of Factory Records acts.
This week’s new releases include a second batch of 180-gram audiophile vinyl Depeche Mode reissues, plus an 11-disc box set from The Stranglers, an expanded reissue of Aztec Camera’s debut ‘High Land, Hard Rain,’ and heavyweight vinyl reissues of all six albums by The Jam.
Depeche Mode marked the anniversary this week of the release of its massive Violator album with a new Archives Special devoted to the band’s infamous record-signing session at The Wherehouse record store in Los Angeles on March 20, 1990 — an event that drew 10,000 fans.
Depeche Mode announced this weekend that it will embark on another full-catalog vinyl reissue campaign this year, this time re-releasing each of the band’s studio albums on 180-gram platters, beginning this week with Some Great Reward, Black Celebration, Music for the Masses and Songs of Faith and Devotion.
Before rain snuffed out today’s final day, the Austin City Limits Music Festival ramped up for a second consecutive weekend, this time with many of the performances being webcast. Watch the full 90-minute set by Depeche Mode, an abbreviated version of the band’s standard Delta Machine tour set,
The second weekend of the Austin City Limits Music Festival is underway, and this time, the fest is providing a live webcast of many of the performances, including full sets by both Depeche Mode tonight — the final stop of the current North American leg of the ‘Delta Machine’ tour — and The Cure on Saturday night.
Depeche Mode’s global tour in support of new album Delta Machine opens its 24-date North American leg tonight in Detroit and, to mark the occasion, the band today debuted a live performance video for “Should Be Higher,” which has been expected to be the record’s third single.
To mark the occasion, Depeche Mode has debuted a new Archives Special on its website, a 5 1/2-minute reel compiled by webmaster Daniel Barassi that features rare performance footage of “Policy of Truth” from that July 31, 1993, concert, plus clips of “120 Minutes” host Lewis Largent interviewing each member of the band.
For this week’s “120 Minutes” Rewind, we travel back to June 23, 1991, for an episode built around MTV’s “120 Minutes Naked Power Grab” contest, which offered one lucky viewer the chance to be “president” of Mute Records for a week. Here’s 12 minutes of footage from the episode featuring the winner and DM.
Two years after he sold a huge collection of Depeche Mode memorabilia — including platinum records, vintage musical equipment and his leather stage trousers — former bandmember Alan Wilder is now offering fans the chance to buy his wheels: The musician is taking bids on his 1991 Mercedes 300SL convertible.
Depeche Mode on Sunday performed to tens of thousands of fans at Rock Werchter 2013, playing an abbreviated version of its ‘Delta Machine Tour’ set during a nearly 90-minute headlining slot at the festival in Belgium. Watch the full show right here.
If you’re into the more technical aspects of a how a band like Depeche Mode pulls off big arena shows, here’s a video tour of the band’s stage setup on the Delta Machine Tour, with a look at the keyboard arrays employed by Andy Fletcher and touring member Peter Gordeno, as well as Martin Gore’s guitar rig.
Tuesday marks the 25th anniversary of Depeche Mode’s iconic “Concert For the Masses,” a daylong show at the 100,000-seat Rose Bowl in Pasadena, Calif., that also featured performances by Wire, Orchestral Manoeuvres in the Dark and Thomas Dolby — and was, of course, filmed and recorded for ’101.’
Vince Clarke — he of Erasure, and former stints in Depeche Mode and Yazoo, of course — has been playing the occasional DJ set of late, and he’s got another one booked for June 22 at Velvet Underground in Toronto. And guess what? We’ve got a pair of general-admission tickets to give away to one lucky Slicing Up Eyeballs reader.
The rumors were true: Depeche Mode will join their contemporaries in The Cure as headliners at this October’s Austin City Limits Music Festival, according to the official lineup revealed tonight. The festival also will feature appearances by Thom Yorke’s Atoms for Peace, Muse and Wilco.
This year’s Austin City Limits Music Festival won’t officially announce its lineup until May 7, but the event’s organizers are cleverly planting clues around Austin in newspaper ads, plastic cups, T-shirts and even bottle caps. And it’s the latter that, by all appearances, confirms The Cure will play the Texas festival.
Depeche Mode opened its massive Delta Machine world tour tonight with a 23-song set that featured a healthy dose of material off the new album, the usual crowd pleasers (“Enjoy the Silence,” “Personal Jesus,” set closer “Never Let Me Down Again”) and some welcome callbacks.
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