In conjunction with the release this month of the 25th anniversary reissue of the Pixies’ classic second album Doolittle, the 4AD label has produced a 30-minute promotional film in which guitarist Joey Santiago and drummer David Lowering reflect back on the making of the record.
The Pixies will mark the 25th anniversary of their classic sophomore album Doolittle with an expanded 3CD, 50-track reissue this December that will feature, as bonus material, the record’s B-sides, two of the band’s Peel sessions in their entireties, and a full disc’s worth of demos.
The Pixies’ current U.S. tour took the band through Washington, D.C., recently, which afforded the group a chance to stop by NPR’s offices to perform a stripped-down “Tiny Desk Concert” — footage of which has just been posted by the public-radio giant.
Anyone who’s listened to the Pixies’ “Debaser” knows Black Francis sounds fairly deranged on that classic opener to 1989’s Doolittle. But give the isolated vocal track a listen, and, well, as Fluxblog’s Matthew Perpetua notes, the Pixies’ frontman “just sounds like a maniac screaming on the street.”
Today marks the 25th anniversary of the release of the Pixies’ landmark Surfer Rosa, which, if we’re to count Come On Pilgrim as an EP or “mini-LP,” was the band’s true debut album, featuring the instant classics “Bone Machine,” “Gigantic” and “Where Is My Mind?”
Joey Santiago tells Slicing Up Eyeballs that the Pixies have discussed making a new record, but that notion remains in the ‘chit-chat phase.’ The guitarist, however, is all for it: ‘I’d like to give it a shot, just to see what we’d come out with. Certainly, we don’t have to put it out if it sucks.’
The Pixies will bring their seemingly never-ending tour celebrating the 20th anniversary of ‘Doolittle’ — a record that’s now actually 22 years old — back to the U.S. for another round of 19 dates in October and November, this time ‘playing cities we’ve never visited across the U.S. of A.’
The Pixies’ classic album ‘Doolittle’ was released exactly 22 years ago today, and to commemorate that college-rock milestone, check out this full concert filmed just a month later in Athens, Greece, and broadcast on Greek TV.
To celebrate the birthday today of Black Francis, the songwriter whose lyrics gave name to this site, check out full video of the Pixies’ classic 15-song set opening for the Throwing Muses at London’s Town & Country Club on May 1, 1988
The Pixies are keeping the ‘Doolittle’ train rolling, announcing this morning a new round of 16 North American dates this April and May that mostly will hit Canadian cities — but with stops in Detroit, Milwaukee and St. Paul, Minn. thrown in as well.
Record producer and engineer Stephen Street — who worked on three albums by The Smiths before producing and co-writing Morrissey’s solo debut ‘Viva Hate’ — will be the guest on this week’s episode of the ‘Sound Opinions’ radio program, billed as ‘the world’s only rock ‘n’ roll talk show.’
The Pixies continue to map out a busy 2010, with newly announced plans to follow up the band’s second round of U.S. ‘Doolittle’ concerts with a string of Latin American shows this October in Mexico, Brazil, Argentina and Chile.
Having already played more than 40 concerts on their wildly successful ‘Doolittle’ 20th anniversary tour, the Pixies will bring the show back to the U.S. for an 11-date run in September, hitting cities the band skipped last fall.
The Pixies this morning announced “two very special, fan exclusive shows” at The Troxy in London on June 3 and 4, and are offering a free download of live audio and video of ‘Doolittle’ track ‘La La Love You.’
While it’s an album hardly in need of commemoration given last year’s high-profile tour and a looming reissue, the Pixies’ beloved Doolittle — from which this site gets its name, of course — was released 21 years ago today.
A group of Israeli human rights activists have asked the Pixies to cancel their June 9 concert in Tel Aviv to protest ‘the military occupation the Palestinian people have been living under,’ urging the reunited band to ‘refuse to perform in Israel until there is freedom here.’
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