Former R.E.M. frontman Michael Stipe inducted Nirvana into the Rock and Roll Hall of Fame last night at a massive ceremony at the Barclays Center arena in Brooklyn, declaring of the genre-shaping alt rock act that, “This is not just pop music. This is something much greater than that.”
There very well could have been a full-fledged R.E.M. reunion in Portland, Ore., on Saturday night as all four members of the defunct college-rock superstars performed after Peter Buck’s wedding. But, by all appearances, they managed to avoid such headlines, just barely, by not actually sharing the stage together.
It’s a nearly unparalleled landmark in the history of ’80s college rock: R.E.M.’s peerless debut album, Murmur, was released on April 12, 1983 — exactly 30 years ago today. Today we celebrate this milestone by looking back at the building blocks of the album we know and love.
It’s not exactly the return to music anyone would have guessed from Michael Stipe, but the former R.E.M. frontman is back with his first new recording since that band split in 2011: a duet with Courtney Love called “Rio Grande” off the new Johnny Depp-curated ‘Son of Rogue’s Gallery: Pirate Ballads, Sea Songs & Chanteys.’
R.E.M.’s Michael Stipe made a pair of high-profile public appearances last night, first popping up on “The Colbert Report.” to sing the Christmas carol “Good King Wenceslas” with Stephen Colbert and Mandy Patinkin, then joining Coldplay’s Chris Martin to perform “Losing My Religion” at 12-12-12: The Concert for Sandy Relief.
In February 1981, R.E.M. played three known concerts, including a pair in Atlanta opening for Joe “King” Carrasco at the 688 Club. Little of this period has been seen on video, but Slicing Up Eyeballs is thrilled to be able to premiere — courtesy of Wuxtry Records in Athens, Ga. — this 40-minute set filmed at one of those Atlanta dates.
For a generation raised by MTV — particularly in the late ’80s and early ’90s — they were ubiquitous: those 30-second “Rock the Vote” promos featuring stars ranging from R.E.M.’s Michael Stipe to Anthony Keidis of the Red Hot Chili Peppers to Madonna imploring viewers to register to vote and cast their ballots.
In honor of this week’s release of the expanded 25th anniversary reissue of ‘Document,’ R.E.M. has posted the album’s original electronic press kit, a 6-minute, black-and-white video dubbed “A Conversation with Michael Stipe” that would have been sent to music journalists in 1987 to promote the then-forthcoming record.
It’s Michael Stipe’s birthday today — he’s 52 — so we’re cracking open the Vintage Video vault to bring you a 30-year-old R.E.M. concert, filmed Oct. 10, 1982, at The Pier in Raleigh, N.C., for broadcast on local television — less than two months after the release of ‘Chronic Town.’
Now that he’s unemployed, former R.E.M. frontman Michael Stipe has plenty of time on his hands, which might explain his drop-in at the end of Thursday night’s ‘The Colbert Report.’ Stephen Colbert paid fitting tribute to ‘legendary rockers The R.E.M.s,’ then permanently enshrined Stipe on his ‘rock ‘n’ roll shelf of fame.’
For this week’s installment of Vintage Video, we bring you this pristine, 95-minute R.E.M. concert filmed on the ‘Fables of the Reconstruction’ tour on Oct. 2, 1985, for the German TV show ‘Rockpalast.’
Monday night in New York City, Patti Smith sang and read poetry at Milk Studios for the opening of ‘Illumination: Who Are Poets,’ an exhibit by rock ‘n’ roll photographer Steven Sebring — and was joined onstage by Michael Stipe for an impromptu performance of R.E.M. smash ‘Everybody Hurts.’
New York City’s Baruch College played host Saturday night to a star-studded tribute to Big Star’s beloved ‘Third/Sister Lovers’ album, performed by R.E.M.’s Michael Stipe and Mike Mills, plus Matthew Sweet, members of Teenage Fanclub and Yo La Tengo, and surviving Big Star member Jody Stephens.
The influence of R.E.M. on indie-folk outfit The Decemberists is no secret, so it’s no surprise to see that Colin Meloy and Co. trotted out a cover of ‘Cuyahoga’ off ‘Lifes Rich Pageant’ during the band’s visit to KCRW’s ‘Morning Becomes Eclectic’ on Thursday.
Back on Dec. 19, visitors to New York City’s Museum of Modern Art witnessed a surprise ‘walk-in concert’ by R.E.M.’s Michael Stipe and Patti Smith as part of the museum’s celebration of the 100th anniversary of the birth of French political activist and writer Jean Genet.
Members of R.E.M.’s fan club have begun receiving their annual holiday single in the mail, and, like last year’s, the 2010 installment features the return of departed drummer Bill Berry on a cover of Darlene Love’s classic ‘Christmas (Baby Please Come Home)’ — as well as an instrumental mashup of three tracks off the band’s forthcoming album ‘Collapse Into Now.’
R.E.M. employed a decidedly old-school medium to announce the full tracklist of its new album ‘Collapse Into Now’: The band revealed the titles of the record’s 12 songs via its snail-mail fanclub newsletter.
The full 17-song concert R.E.M. recorded for the ‘Austin City Limits’ TV show in 2008 — including three songs that never have been broadcast — will be released on DVD late next month, the band announced today.
R.E.M. tonight posted a minute-long video of the band’s recent recording sessions in Nashville, showing, in typically enigmatic fashion, Michael Stipe playing high-pitched noises off some kind of contraption while the rest of the band and assorted personnel record a round of handclaps — after which Peter Buck asks, ‘Should we double track it?’
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