The highlights of tonight’s ‘Dark Wave’ on Sirius XM’s 1st Wave include some unusual selections from big names like The Cure (’Just One Kiss,’ the B-side of ‘The Walk’) and Depeche Mode (’Black Celebration’ album cut ‘Here is the House’), plus the return of ‘No Name, No Slogan,’ the one-off 1989 single from Acid Horse, a hybrid of Ministry and Cabaret Voltaire.
Playlist: Sirius XM’s ‘Dark Wave,’ 9/5/10
Ministry covers Amy Winehouse’s ‘Rehab’ on ‘Every Day is Halloween: The Anthology’?
The defunct Ministry next month will release ‘Every Day is Halloween: The Anthology,’ a 12-track compilation that appears to mix some of the band’s best-known singles with new covers of classic songs by AC/DC, Jimi Hendrix, The Rolling Stones — and Amy Winehouse?
New CDs: INXS ‘Platinum’ best-of, Ministry ‘Molé’ mixes, Ian Astbury fronts Boris
This week’s new releases include ‘Platinum: Greatest Hits,’ the physical edition of a new INXS best-of released online earlier this year; ‘MiXXXes of the Molé,’ a full-album remix of Ministry’s ‘Houses of the Molé’; and ‘BXI,’ an EP by Boris and The Cult’s Ian Astbury.
New releases: Propaganda’s ‘A Secret Wish’ reissue, Art of Noise best-of, Devo blue vinyl
This week’s new releases include a pair of 2CD sets from famed synthpop label ZTT Records (an expanded reissue of Propaganda’s ‘A Secret Wish’ and the Art of Noise comp ‘Influence’), as well as a blue-vinyl issue of Devo’s new ‘Something for Everybody’ and the debut from The High Confessions, featuring Sonic Youth’s Steve Shelley and Chris Connelly (Ministry, Revolting Cocks).
Ministry preps ‘MiXXXes of the Molé,’ ‘trance metal’ remix of 2004’s ‘Houses of the Molé”
Breaking up two years ago hasn’t slowed Ministry’s output: Al Jourgensen’s defunct industrial-metal juggernaut next month will release ‘MiXXXes of the Molé,’ a track-by-track ‘trance metal’ remix of the band’s 2004 album ‘Houses of the Molé.’
Playlist: Sirius XM’s ‘Dark Wave,’ 6/27/10
‘Dark Wave’ on Sirius XM’s 1st Wave continues to impress by digging somewhat deeper than normal, with tonight’s episode featuring unexpected cuts from the likes of The Cure (’The Baby Screams’), The Smiths (’The Hand That Rocked the Cradle’) and Ministry (’Flashback’).
New releases: Laurie Anderson, Front Line Assembly; plus Spandau Ballet reissues
This week’s new releases include brand-new studio albums from Laurie Anderson (’Homeland’) and Front Line Assembly (’Improvised Electronic Device’), plus expanded reissues from Spandau Ballet (’True,’ ‘Parade’) and A Flock of Seagulls (’Listen’).
Vintage Video: New Order re-writes ‘Blue Monday’ for Sunkist soda TV commercial
For $200,000, New Order re-recorded ‘Blue Monday’ — allegedly the best-selling 12-inch of all time — for a Sunkist TV commercial (which also uses footage from the band’s Kathryn Bigelow-directed video for ‘Touched By the Hand of God’).
Vintage Video: Ministry’s Al Jourgensen, Gary Numan sing early-’80s soda pop jingles
Could it be? Is that Ministry’s Al Jourgensen singing ‘don’t give me that so-so soda/that same old cola’ in this 1983 commercial for Shasta? And here’s a purported 1982 7UP jingle sung by Gary Numan, too.
Playlist: Sirius XM’s ‘Dark Wave,’ 6/6/10
Highlights of tonight’s ‘Dark Wave’ on Sirius XM’s 1st Wave include a left-field Love and Rockets pick (’Rain Bird’ off ‘Earth Sun Moon’) and the ‘The Dominatrix Sleeps Tonight,’ the lone single from early-’80s synthpop act Dominatrix.
Playlist: Sirius XM’s ‘Dark Wave,’ 5/30/10
Highlights of tonight’s ‘Dark Wave’ on Sirius XM’s 1st Wave include a cut off The The’s generally neglected ‘Dusk’ album (’Love is Stronger Than Death’); a favorite off Morrissey’s solo debut, ‘Viva Hate’ (’Late Night, Madulin Street’); and a real rarity in ‘No Name, No Slogan,’ the one-off 1989 single from Acid Horse, a hybrid of Ministry and Cabaret Voltaire.
Playlist: Sirius XM’s ‘Dark Wave,’ 5/2/10
Among the highlights of tonight’s ‘Dark Wave’ on Sirius XM: ‘Kinetic,’ the one hit from synthpop one-hit-wonder Hilary; ‘Carpe Diem,’ a mid-period single from German EBM act Bigod 20; and ‘Stigmata,’ from Ministry (rather than the usual pop-era stuff they play).












