Tuesday marks the 25th anniversary of Depeche Mode’s iconic “Concert For the Masses,” a daylong show at the 100,000-seat Rose Bowl in Pasadena, Calif., that also featured performances by Wire, Orchestral Manoeuvres in the Dark and Thomas Dolby — and was, of course, filmed and recorded for ‘101.’

Wire this week released their 13th studio album ‘Changes Becomes Us,’ and instead of offering the increasingly popular pre-release stream, the band is going for post-release: the full album, billed as an “exploration of unrecorded material originally written in 1979-80,” is now streaming over at Pitchfork.

This week’s new releases include brand-new studio albums from Depeche Mode, Wire, The House of Love, Edwyn Collins, Crime & The City Solution and The Wonder Stuff, plus the U.S. release of The Waterboys’ 2011 record, new compilations from Simple Minds, Midge Ure and the Primitives, and Transvision Vamp reissues.

Wire have offered up a second taste of their upcoming 13th album Changes Becomes Us — which is due out March 25 — in the form of “Love Bends,” which, like the rest of the material on the new album, is part of the band’s “exploration of unrecorded material originally written in 1979-80.”

The 2013 installment of Record Store Day is still three months away, but details are starting to emerge about what bands will be offering limited-edition vinyl releases to commemorate the day — a list that so far includes new releases from the likes of Hüsker Dü, Robyn Hitchcock, Paul Weller and Wire.

U.K. post-punk legends Wire this week offered up the first taste of their upcoming ‘Changes Becomes Us’ in the form of opening track “Doubles & Trebles,” which is apparently a reworking of a previously unreleased song called “Ally in Exile.” The album is being build as “exploration of unrecorded material originally written in 1979-80.”

U.K. post-punk legends Wire today announced the release of their fourth post-reunion album and 13th overall, a 13-track collection called ‘Change Becomes Us’ that is due out next March and “began as an exploration of unrecorded material originally written in 1979-80,” according to an e-mail the band sent to fans.

This week’s new releases include a new B-sides compilation from the Pet Shops Boys (‘Format’), a new live album by Wire (‘The Black Session’), a vinyl reissue of Cocteau Twins’ ‘Stars and Topsoil,’ a new John Foxx and the Maths’ album, a 2CD reissue of Big Country’s ‘The Crossing’ and an archival live album from The Plimsouls.’

This past week’s Slicing Up Eyeballs headlines included news about The Cure, Depeche Mode, New Order, Morrissey, Flipper, The Human League, Dead Can Dance, The Cult, Wire, Paul Weller and Happy Mondays — plus our Q&A with David J and a brand-new Auto Reverse mixtape for February.

Wire next week will give wide release to last year’s tour-only live album ‘The Black Session – Paris 10 May 2011,’ a 13-track live set recorded last May at Radio France’s Paris studios in front of an audience as part of Bernard Lenoir’s series of live broadcasts. Stream the whole thing here.

As 2011 quickly winds to an end, we’re happy to roll out our fourth and final days’ worth of results from our second-annual Slicing Up Eyeballs Readers Poll, in which nearly 500 of you cast ballots for your favorite music of the year. Today, we bring you the big one: The best albums of 2011.

This week’s round-up of Slicing Up Eyeballs headlines includes posts about Midnight Oil, The Cure, Wire, Gary Numan, The Church and New Order, plus our December mixtape and the second installment of our Rhino ‘Just Can’t Get Enough — The ’80s’ Spotify playlist.

Classic U.K. post-punk outfit Wire will commemorate its year-long tour in support of the band’s current record, ‘Red Barked Tree,’ by giving its recent tour-only live album — the 13-track ‘The Black Session – Paris 10 May 2011’ — a full worldwide release in February.