Ex-NME music writer Neil Taylor — who co-compiled the original C86 compilation tape and curated next month’s expanded 3CD reissue — is writing a book about the U.K. indie-pop scene between 1983 and 1986 that promises to “be the gospel according to those who were truly passionate about the music, and took up voice to let everyone know.”
Taylor’s book, “C86 & All That: Indie 1983-86,” is scheduled to be published next spring, and is being funded through a Kickstarter campaign. To date, Taylor has exceeded his £5,000 funding goal, but says, in an email, that he’s “desperate to get the book written, and although the campaign has gained a fair bit of momentum, more funding would lead to the book the period deserves.”
From Taylor’s description of the project:
Between 1983 and 1986 a revolution took place in indie music, with a sudden explosion of new bands, record labels, fanzines and clubs. Bored with the synth(etic) drivel of the charts, The June Brides, Shop Assistants, The Pastels, Yeah Yeah Noh, The Jesus & Mary Chain, Big Flame, the Wedding Present, Miaow, The Mighty Lemon Drops, Bogshed, The Membranes, Fuzzbox, A Witness, The Wolfhounds and dozens of others reached out, fusing punk ethics and pop art tactics to created a DIY sound unequalled since the time of Punk. The music was played in clubs like The Living Room, The Cellar Bar at Thames Poly, Bay 63 and Room At The Top and released on labels like Creation, Pink, Ron Johnson, Vinyl Drip, 53rd & 3rd, Subway Organisation, Vindaloo and In Tape. Hundreds of fanzines sprang up to document the moment.
Yet incredibly there has been no comprehensive book on the music or period that many recognise as ‘the birth of Indie’. Until now. I was fortunate to be witness to and write about many of the bands and key moments of the period – I was there when the records came out, when the riots took place, and I co-compiled the legendary NME tape C86 which codified the music and 28 years later remains a powerful cultural icon. For every one of those 28 years I have wanted to write in depth about those times and bands – almost all of whom I interviewed for the NME – and the time has now come to do it!
This won’t be the boring, conventional music history. Yes, I’ll revisit the established music press for their take, but will focus as well on the thousands of fanzine interviews that the bands and label heads gave at the time, talk to the musicians and fans. It will cover both the more melodic sound more commonly associated with Indie and the more discordant side which tends to get overlooked. It will, more than anything, be the gospel according to those who were truly passionate about the music – and took up voice to let everyone know. I’ll revisit my own archive of interviews and am part way through conducting a further 50 or so interviews. I’ll keep everybody updated throughout. Many, if not all, of the major players involved have agreed to speak with me for the project.
To learn more, and to contribute, visit the “C86 & All That” Kickstarter page.
And check out Taylor’s pitch video below.
PREVIOUSLY ON SLICING UP EYEBALLS
- Deluxe reissue of legendary C86 cassette to feature 72 tracks across 3 CDs
- Legendary C86 indie-pop cassette to be reissued in expanded 2CD set in 2014
- ‘Scared To Get Happy: A Story of Indie-Pop 1980-1989’ final tracklist: 5 CDs, 134 songs