Daniel Ash

With the Bauhaus reunion sidelined by COVID-19, guitarist Daniel Ash found plenty of time in 2020 to focus on a new album by his new band — a trio called Ashes and Diamonds — with plans to release the record later this year, he announced in a podcast interview Monday.

In his interview on Baxie’s Musical Podcast, Ash also confirmed that the Bauhaus reunion that should have occupied much of 2020 remains an ongoing concern and that “there’s definitely plans when all this lifts (to resume, though) I don’t think it’s going to be until next year now.”

As for Ashes and Diamonds, the new band features Ash on vocals and guitar, bassist Paul Denman of Sade’s eponymous band and current Public Image Ltd. drummer Bruce Smith, who previously played with The Pop Group, The Slits and Rip Rig + Panic.

The trio has recorded about 15 songs and is in the final stages of mixing, Ash told the podcast, with a goal of finishing the record by the end of February. Though they started work in the studio 18 months ago, the band ended up sending files to each other to finish it once the pandemic set in.

“I must say it’s working out really well,” Ash said. “We’ve had time to really craft the songs and get them produced as good as possible, because I really hate underproduction, unless it’s the Velvet Underground.”

Hear the full interview:

 

Ash doesn’t describe the sound of the new songs, but notes the lyrical subject matter “is all over the place.”

“This is a real cliché, but there’s a song about 2020 and it’s a really, really sad song,” he said. “I can’t listen to it at the moment. It’s too sad. it’s a real downer. But we’re tweaking the music so that it’s not a downer, to have a juxtaposition there within the song, because if you have the music and the lyrics down, it doesn’t work. Nobody wants to hear it because it’s too depressing.”

Once the album’s ready, Ash said, the group will have to decide how to release and promote it, since the trio can’t yet tour behind the new music. The plan is to release it this year, he stressed, and eventually play shows. “We can’t wait, actually, to get some sort of feedback,” he said.

In the half-hour interview, Ash also talks about songwriting, his dislike of the “goth” label and the recording of Bauhaus’s “Bela Lugosi’s Dead,” Tones on Tail’s “Go!” and Love and Rockets’ Sweet F.A. album.


Bauhaus in Hollywood, Nov. 3, 2019 | Photo by Gary Bandfield

He also acknowledges the volatility of Bauhaus.

“We get on and we don’t get on and we get on and we don’t get on,” he said. “It’s OK. It’s doable now because we’re older. It’s not a big deal. … It’s funny, because I’m saying this now, but we might all fall out again in 36 hours, I don’t know. But it’s definitely easier as we get older.”

Prior to the launch of the Bauhaus reunion in the late 2019, Ash had teamed up with former bandmate Kevin Haskins and Haskins’ daughter, Diva Dompe, to tour and record as Poptone, performing songs from the catalogs of Bauhaus, Love and Rockets and, in particular, Tones on Tail.

In the podcast interview, Ash is most effusive about the work of the short-lived Tones on Tail.

“I think we were really breaking new ground with that,” he said. “If you listen to that stuff now, it sounds like it could have been recorded last week because it’s not in any category at all. What I’m very proud of with that band is it sounds like it’s from another planet.”

Listen to the full interview on Soundcloud.

 

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