The just-released reissue of Siouxsie and the Banshees’ 1988 album Peepshow is being repressed following the discovery of a “minor mastering error” at the end of “Rawhead and Bloody Bones,” the band’s bassist, Steven Severin, announced today via the Banshees’ Facebook page.

This week’s new releases include a huge number of reissues, with re-released titles coming from Siouxsie and the Banshees, XTC, The Afghan Whigs, The Wedding Present and Nick Cave and the Bad Seeds, plus a brand-new live album from The Fall compiled by Mark E. Smith.

Late last month, Siouxsie and the Banshees confirmed the long-overdue reissue of the final four albums in the band’s catalog, and while tracklists were not announced at the time, they’ve now been revealed as the re-releases have appeared on Amazon UK for pre-order ahead of the Oct. 13 street date.

As we first reported last month, the final four titles in Siouxsie and the Banshees’ catalog (1987′s Through the Looking Glass 1988′s Peepshow, 1991′s Superstition and 1995′s The Rapture) finally will receive expanded-and-remastered CD reissues — and today the band itself announced a new, confirmed release date of Oct. 13.

We paused the weekly “120 Minutes” Rewind feature a few months back because we’d exhausted most of the best clips available on YouTube, but, as time as passed, new finds have surfaced, including an hour-long Siouxsie and the Banshees special called “Scream Superstition.”

Bassist Steven Severin hinted this weekend that the final four titles in Siouxsie and the Banshees’ catalog finally will receive expanded reissues Sept. 15, more than four years after Universal Music pulled the plug on the band’s reissue campaign midstream.

Siouxsie and the Banshees will commemorate “Hong Kong Garden” next month with a double 7-inch reissue of the single that will include the original A- and B-sides and the version from Sofia Coppola’s “Marie Antoinette” film and the recording of “Voices” from 1984’s The Thorn EP.

For this week’s installment of Vintage Video, we present one of the weirder things you’ll see today: Siouxsie and the Banshees’ “Alice In Wonderland”-inspired “Play at Home” special that aired on the U.K.’s Channel 4 in 1983, during the period Robert Smith was in the band.

For this week’s “120 Minutes” Rewind, we flash back to 1990 — a better time for Siouxsie Sioux and her then-husband/drummer, Budgie, who, in addition to playing in the Banshees, together formed side project The Creatures. This clip features footage of the duo being interviewed by Dave Kendall.

Steven Severin these days devotes himself to making new music for old movies, composing and performing scores for decades-old silent films. Now, though, he’s providing the score to “Borley Rectory,” an animated documentary about the “most famous haunted house in England.”

Two weeks after Siouxsie returned to the concert stage for the first time in five years, there’s even more good news for Banshees fans: Bassist Steven Severin on Friday revealed in a tweet that, “After a gap of nearly a decades, the Banshees are talking again… The feud is over.”

While we’ve already posted copious video from Siouxsie’s first concert in five years this past Saturday, it is worth sharing one key piece of footage from tonight’s reprise at the Yoko Ono-curated Meltdown festival, namely the one song on Saturday night’s setlist that got dropped from that show: “Spellbound.”

Siouxsie returned to the concert stage for the first time in five years tonight in London, performing the first of two nights at the Yoko Ono-curated Meltdown festival with a 20-song set that included a full reading of 1980’s Kaleidoscope plus Banshees favorites like “Cities in Dust” and “Israel” as well as tracks off MantaRay.