Hunters & Collectors — best-known to American fans for late-’80s modern-rock hits “Back on the Breadline” and “When the River Runs Dry” — will be the subject of a new tribute album next month featuring interpretations of the band’s music by Eddie Vedder and Neil Finn, Paul Kelly, The Living End, The Avalanches and more.

Having wrapped up touring and promotion of its recent singles collection, Killing Joke today announced the band will return to the studio this October to begin work on its third album for Universal/Spinefarm, with Kevin “Geordie” Walker already having demoed nine new songs.

Blondie, Adam Ant, The Psychedelic Furs, The Fixx and Berlin are set to perform at Los Angeles radio station 93.1 Jack FM’s big “Flashback” concert this fall at The Theatre at Honda Center in Anaheim, Calif. A portion of ticket proceeds from the Sept. 21 show will go to Talk About Curing Autism.

In an effort to create a synthesizer version of the ever-popular air guitar, Erasure’s Vince Clarke is asking fans to enter his First International Synth Gurning Competition by filming themselves making synth sounds with their mouths “whilst pulling a funny face.” To help get things started, he’s offered up his own video.

We’re still more than a month out from the release of The Mission’s The Brightest Light, but the band this week premiered the first full track off the record: “Drag,” a song Wayne Hussey describes as a “throwaway” blues rocker that was so fun to play that he ended up finding a place or it on the album.

Fans of The Church who missed the Australian rockers’ recent “Future Past Perfect” tour — on which the band played 1988′s Starfish, 1992′s Priest=Aura and 2009’s Untitled #23 in their entireties — can now witness the group’s full performance of those record in Syndey in 2011 via a new three-disc DVD package.

This week’s Slicing Up Eyeballs Music Hour on Strangeways Radio featured music from The Cramps, World Party, Public Image Ltd., Jane’s Addiction, The Sugarcubes, I an McCulloch, Roby Hitchcock and the Egyptians, The Replacements, Pixies, Siouxsie and the Banshees and more.

Morrissey’s new concert film “Morrissey 25: Live” hits theaters beginning Aug. 29, and, after seeing the trailer a few weeks ago, now we get a glimpse at the first full performance from the film via this cilp of “Everyday is Like Sunday” that the NME premiered today.

Fans of Sonic Youth may still be struggling to get over the presumed end of the legendary noise-rock band, but there is good news ahead: The band’s four members all will be on tour in the U.S. this fall — albeit separately, for the most part — and three of the four have new music due out later this year.

XTC this week launched the first of what promises to be a new series of expanded reissues, beginning with the band’s 1992 album Nonusch, which will be re-released this fall with new 5.1 Surround, stereo and high-res stereo mixes as well as Andy Partridge home demos and Colin Moulding work tapes.

The Cure wrapped up its short “Great Circle Tour” with a headlining performance at the Lollapalzooza festival in Chicago on Sunday night, delivering a 2-hour, 26-song set — and for Robert Smith and Co., that’s a pretty gig — heavy on the band’s more poppy material. Check out the full webcast here.

Our Best of the ’80s poll continues into August as we hit 1986, and once again ask Slicing Up Eyeballs’ readers to vote for their favorite albums of that year in our ongoing mission to rank the releases of each year of the decade throughout 2013, concluding with a poll to determine the best records of the entire 1980s.

With drummer Malcolm Holmes’ onstage health scare now (thankfully) behind the band, Orchestral Manoeuvres in the Dark is moving forward with promotion of its new album English Electric — namely the release of the LP’s third single, “Night Café,” which is due out next month.