Tag: Bernard Sumner

‘120 Minutes’ Rewind: Alan Hunter puts New Order under the ‘120 X-Ray’ — 1986

‘120 Minutes’ Rewind: Alan Hunter puts New Order under the ‘120 X-Ray’ — 1986

For this week’s “120 Minutes” Rewind, we revisit the very early days of the program, for an Alan Hunter-hosted “120 X-Ray” segment on New Order that ran during the show’s first year on the air. The clip features Bernard Sumner talking about how the band brought on Gillian Gilbert.

Video: New Order plays ‘Bizarre Love Triangle,’ ‘I’ll Stay With You’ on Kimmel

Video: New Order plays ‘Bizarre Love Triangle,’ ‘I’ll Stay With You’ on Kimmel

With a week to kill in Los Angeles between appearances at the Coachella festival, New Order popped up on “Jimmy Kimmel Live!” last night to perform its classic single “Bizarre Love Triangle” on air plus treated fans to a bonus web-only version of “I’ll Stay With You,” the opening track off its just-released ‘Lost Sirens.’

Video: Johnny Marr and Billy Duffy tear up ‘I Fought the Law’ and ‘How Soon Is Now?’

Video: Johnny Marr and Billy Duffy tear up ‘I Fought the Law’ and ‘How Soon Is Now?’

Johnny Marr surprised fans in San Francisco on Saturday night by pulling an old friend on stage: Billy Duffy of The Cult, who joined Marr and his band to rip through “I Fought the Law,” the 1958 classic by The Crickets’ Sonny Curtis popularized first by the Bobby Fuller Four and then The Clash.

Stream: Electronic 15-minute sampler of new expanded reissue — with unreleased clips

Stream: Electronic 15-minute sampler of new expanded reissue — with unreleased clips

The 1991 self-titled debut from indie supergroup Electronic — featuring New Order frontman Bernard Sumner and guitarist Johnny Marr of The Smiths, with the occasional assist from Pet Shop Boys singer Neil Tennant — will be reissued in the U.K. next week in a 2CD expanded edition.

New Order’s ‘Blue Monday’ turns 30 today — an audiovisual retrospective, 1983-2013

New Order’s ‘Blue Monday’ turns 30 today — an audiovisual retrospective, 1983-2013

On March 7, 1983 — exactly 30 years ago today — New Order released its monumental single “Blue Monday,” cementing its full transition from the moody post-punk of Joy Division to club-ready synthpop. And, in the process, the band delivered the best-selling 12-inch single of all time.

‘120 Minutes’ Rewind: Kurt Loder explores the Madchester scene — April 15, 1990

‘120 Minutes’ Rewind: Kurt Loder explores the Madchester scene — April 15, 1990

For this week’s “120 Minutes” Rewind,we revisit the tail end of the April 15, 1990, episode, which featured a 5-minute Kurt Loder-hosted MTV News report about the so-called Madchester scene, featuring interviews with Manchester acts such as Happy Mondays, 808 State and New Order’s Bernard Sumner.

Video: Bernard Sumner joins The Killers to play New Order’s ‘Crystal’ in Manchester

Video: Bernard Sumner joins The Killers to play New Order’s ‘Crystal’ in Manchester

The Killers famously took their name from the faux band performing in New Order’s video for the 2001 single “Crystal,” so it was fitting that Bernard Sumner joined the American band onstage Monday night in his hometown of Manchester to perform the track. Check out the performance right here.

Johnny Marr announces spring U.S. tour — including 2 concerts with New Order

Johnny Marr announces spring U.S. tour — including 2 concerts with New Order

Johnny Marr will follow his previously announced U.K. solo tour with an 18-date North American run in April and May that’s built around his appearances at the two-weekend Coachella Valley Music & Arts Festival — and which includes dates with New Order in Las Vegas and Santa Barbara, Calif.

Electronic’s self-titled debut to be reissued as 2CD special edition with 8 unreleased tracks

Electronic’s self-titled debut to be reissued as 2CD special edition with 8 unreleased tracks

The 1991 self-titled debut from indie supergroup Electronic — featuring New Order frontman Bernard Sumner and guitarist Johnny Marr of The Smiths, with the occasional assist from Pet Shop Boys singer Neil Tennant — will be reissued this spring in a 2CD special edition featuring eight previously unreleased bonus tracks.

New Order’s ‘Lost Sirens’ due this fall, North and South American dates possible in 2013

New Order’s ‘Lost Sirens’ due this fall, North and South American dates possible in 2013

With New Order’s first U.S. tour in seven years underway comes news the band finally will release the ‘Lost Sirens’ album — a collection of outtakes from 2005’s ‘Waiting for the Sirens’ Call’ delayed for nearly a year by apparent legal wrangling with Peter Hook — and that the band may tour both North and South America in 2013.

Peter Hook to play New Order’s ‘Movement,’ ‘Power, Corruption & Lies’ live in 2013

Peter Hook to play New Order’s ‘Movement,’ ‘Power, Corruption & Lies’ live in 2013

Having performed all three of Joy Division’s official albums live in recent years, Peter Hook announced today that he will turn his attention to his other former band, New Order, and perform that group’s first two albums — 1981’s ‘Movement and’ 1983’s ‘Power, Corruptions & Lies’ — live at a pair of U.K. concerts in January.

Bernard Sumner: New Order to begin work on ‘electronic synth album’ early next year

Bernard Sumner: New Order to begin work on ‘electronic synth album’ early next year

Bernard Sumner previously has hinted that New Order — which reunited last year without bassist Peter Hook — may write new music, but now he’s talking about it in detail for the first time, telling interviewers that the band will meet early next year to begin writing new material with an eye on making an ‘electronic synth album.’

Video: Peter Hook schools interviewer on how to play ‘Love Will Tear Us Apart’ on bass

Video: Peter Hook schools interviewer on how to play ‘Love Will Tear Us Apart’ on bass

Journalist Hobey Echlin took advantage of his face time with New Order during a 2001 interview to grab Peter Hook’s four-string and play the bassline to Joy Division’s “Love Will Tear Us Apart” in front of the man who wrote it — only to be told he was doing it wrong. So Hook took the bass back and showed Echlin how it’s done.